Thursday, November 13, 2008

Pittsburgh Art Happenings: 11/14-15/08.

It's been several weeks since I gave a shout-out to the local scene, so I feel an entry is overdue. It doesn't hurt that there are a number of compelling events happening around town over the next couple of days. If you are anything like me, you could probably use a break from the national scene. Out-of-town readers... don't despair, as the blog's focus will remain broader than this post may suggest.

Friday:

Five new exhibitions are opening at the Pittsburgh Center for the Arts. The one I'm most excited by is Altered States, because it features work by Romanian transplant and friend, Tibi Chelcea. Unfortunately he won't be present at the reception. Chelcea is currently in South America, no doubt having the time of his life. Before he left we exchanged several pieces of art, as we are fans of each other's images. His are mostly byzantine woodcuts evocative of the Kafkaesque existence so many of us find ourselves stumbling through. Despite his absence, I'm sure this will be a lively affair. By all means arrive in person at the PCA to see what other print-makers might be in town for this group show.

Robert Qualters and Charlee Brodsky are luminaries of the Pittsburgh scene, and I'll be looking forward to taking a close look at their collaboration, Autumn. I'm unfamiliar with the remaining stuff listed for the night, but I expect I'll find at least one more pleasant surprise. It can all be seen for a mere $5 (+ cash for the bar), between 5:30 and 8PM.

On the lowbrow tip, Zombo Gallery is having its first show in partnership with the new ToonSeum, This "show and sell" includes Mike Peters ("Mother Goose and Grimm"), Terri Liebenson ("Pajama Diaries"), Rob Rogers (Pittsburgh Post-Gazette), Wayno, Joe Wos, Lee Moder ("Painkiller Jane" and "Wonder Woman"),Tom Richmond (Mad Magazine), and many more. The reception runs from 6-11PM. It's altogether fitting that a collection of cartoonists be gathered here at Zombo's place in Lawrenceville.

If you aren't doing anything right after work, you can check out an appearance by The Yes Men, "activist-artists" who delight in taking on the bureaucratic and corporate interests that keep us down. KEEP IT SLICK: Infiltrating Capitalism with The Yes Men opens at CMU's Regina Gouger Miller Gallery this Friday, from 5-8PM. The event includes the "How To Be A Yes Man Workshop" and a "Business Casual Reception". If you haven't seen these guys, you need to know that they are both hilarious and thought-provoking. Some of their stunts have included a presentation at a prestigious American business school dedicated to explaining the benefits of "recycled meat", and an address to the World Trade Organization that included a tear-away suit hiding a giant inflatable phallus with a surveillance camera on its head.

Saturday:

I've not yet taken the opportunity to visit Lawrenceville's newest art space, the LUKE and ELOY Gallery (5169 Butler Street) - mostly because they hold their opening receptions during Saturday afternoons (11AM-5PM). But this month's show, Laughingstock: Humor in Art & Craft, sounds compelling enough to warrant a look-see. The curators ask, "Can humor and satire stimulate laughter as well as serve as a vehicle to explore serious subjects, such as feminism, the natural environment, the excesses of consumer culture, religion, sexuality, social injustice, and war ?" I guess we'll have to show up to know for sure.

Meanwhile Boxheart Gallery in Bloomfield is featuring the grand-daughter of German Expressionist Hans Groh. Irmaly Brackin employs a loose, colorful style that channels the Cuban and Latin American imagery of her childhood home of Miami. Make the trek to 4523 Liberty Avenue and find out how far the apple falls from the tree.


NOTE: For a comprehensive guide to area art events, please visit the Pittsburgh art and gallery info site. Go there often. Rick puts a lot of effort into collecting all of the relevant information, and he could use your support.

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Monday, June 23, 2008

Our Decadence Will Be Our Undoing.

Carnegie Mellon University is once again in the news for its research and development of cutting edge technology. This time the story is about autonomous driving technology. For those of you challenged by tech-speak, what that means is "driver-less cars". It turns out that General Motors and the university have announced a five-year partnership, entailing $5 million in funds earmarked to make this strange sci-fi proposition into a reality. This shouldn't be much of a surprise to those of us on the local scene. We all well know CMU's obsession with everything robotic. In fact many of us even recognize that the vast bulk of their student body is made up of robots- or at least individuals with a similar capacity to relate to human beings.

Anyway, the car company and the tech school certainly see something promising in the idea of taking the driver out of the vehicle. Just consider the words of Larry Burns, GM vice president of R&D and Strategic Planning- “Imagine being virtually chauffeured safely in your car while doing your e-mail, eating breakfast and watching the news.” Naturally we would all like to see the day come when we spend so much time in our cars that we can accomplish all of these tasks in transit. Actually the solution for that type of freedom seems to be staring us in the face in today's reality- it's called public transportation. And much of that infrastructure is already in place, although it is being slowly eroded by neglect.

But as in many things in our modern society, we like to go beyond the simple answers. If there is one skill-set that humans appear to excel in, it is in their capacity to make things infinitely more complex and confusing. So we search for the proper way to set up a contrived "system", while a natural one already exists. However we first need to iron out all of the pesky details. What if the computer that pilots your self-directed machinery goes haywire? What if it blows an electrical fuse? How does the digital guidance system account for and adjust itself to the random qualities of ordinary human error? How will the driver-less car respond to an alien abduction? These are all questions that the eggheads down at CMU need to work through.

On one level I have to admit that there are elements of this idea that attract me. There is indeed something enticing about removing a bit of the American personality from our road systems. I'm sure you've noticed that the particularly aggressive nature of our citizenry seems to manifest itself most easily behind the wheel of the automobile. People automatically gain six inches of height and fifty pounds of muscle when they are encased in a couple of tons of hard plastics and metal. Surely the engineers over in Oakland will decide to keep these troublesome inclinations away from their programmed personalities. And it would be great if something would take over for those fools who already try to eat breakfast or do their business while driving.

Yet with all the potential benefits of "autonomous driving technology", I can't help but wonder whether we are truly addressing the most pressing concerns of society. Is it really appropriate in this day-and-age to be investing huge sums of cash into figuring out a way that commuters can sort through their e-mail in their SUVs? How did US car manufacturers identify this as an important objective in the current economic climate? Wouldn't it be more appropriate and useful to actually develop, build, and market American-made vehicles that get decent gas mileage? What about making cars that we will be able to afford to drive in the coming years? I think it says a lot about the personality of the nation that they have made driver-less cars a priority.

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