Reflections On Local Art Chaos.

Perhaps it's a mistake to get too excited when a Pittsburgh weekend promises a full schedule of art events. As last Friday approached, my level of anticipation reached a fever pitch. It would have been an understatement to say that I was merely looking forward to seeing what was on offer in our fair city. In retrospect I would have had to see some pretty amazing things to justify my expectations. Sometimes quantity can overshadow, and even obscure quality. It's not that I didn't see anything good... but rather that it all felt rather anticlimactic by Sunday. I had fun and saw lots of people I wanted to see, yet I came away slightly disappointed.

A big part of the letdown started with the choices I made on Friday night. I had received an invitation from the Mattress Factory to attend their opening. I have to say that I was quite impressed to see that venerable institution reach out to the blogosphere for coverage. All I would have had to do to avoid paying the $10 admission fee was R.S.V.P. And yet for some inexplicable reason, I decided to go to the Art Crawl instead. I made that decision despite the fact that I haven't been impressed by the downtown galleries in a couple of years. Part of the problem there is the reliance on the work of artists affiliated with CMU. And another factor is the dehumanizing scale of the spectacle itself. I prefer the intimacy of Unblurred.

Things started somewhat promisingly with a visit to SPACE. Although I didn't know any of the participating artists, the presentation was nice and I enjoyed the look of the freshly painted walls. I was particularly impressed by the sculpture/installation pieces of Steve O Hearn. His background in industrial and set design is clearly apparent in the wild fantasy and whimsical articulation of his work. I was less taken with a series of photos (by Renee Rosensteel) of ultimate fighters in action and repose. Photojournalism is often only as compelling as its subject matter. Still my interest in that show greatly eclipsed my enjoyment of the other venues offering 'art' that night. In the spirit of diplomacy, I'll skip the tiresome details.

Even after my post-Friday disenchantment, things still looked promising through the glare of Saturday morning. However, I had to spend hours getting a large format print of an image to place in Art All Night. I had a ridiculous amount of difficulty getting that done, as Ritz Camera wasted my time on Friday evening with tales of 'corrupted files' and printer breakdown. Finally I found myself working with the girl at Staples to iron out the kinks of a 20 x 30" enlargement of a newer abstract. Even with a cheap frame, I thought it looked pretty good. Its delivery to the former Roomful Express Warehouse went smoother than I thought it might. And the night began on a promising note with Kim Beck's show at AIR. Although sparsely attended, the exhibition served to round out my appreciation of her work.

Finally I was ready to explore the vast expanses of the soon-to-be-demolished warehouse where this year's Art All Night was held. First I tried to locate my piece. I found it along a highly-trafficked corridor, but the abysmal lighting obscured the details of the image. I tried to remind myself that the volunteers that hang this immensely broad show are harried, and have no time to be discriminating. Still I couldn't help letting this particular placement gnaw away at me. I knew right away that it wouldn't sell from that location. So I ended up passing on the few pieces at the show that I was tempted to purchase for myself*. At least this year there was plenty of room to breathe.


* Incidentally, does anyone know a painter named Jim Phillips?

Another Art-packed Weekend.

If you didn't get your fill of art events last weekend, there are several things going on during the next couple of days that may satisfy your longings. In fact, the opportunities coming our way may actually be more substantial than last Friday's downtown art crawl. Everything kicks off with another round of Unblurred along Penn Avenue in Garfield/Friendship. It seems almost unbelievable that an entire month has passed since the last 'First Friday'.

Pittsburgh Glass Center (5472 Penn Avenue) features an opening for an exhibition of 31 artists from southwestern Pennsylvania. Each of the works displayed incorporates both glass and steel- the two manufactured substances that have been at the heart of the Pittsburgh industrial economy for the last 150 years. Of course they will have demonstrations throughout the evening, and they will be open from 6 to 9PM. And while you are on that end of the street, stop by the Tunnel Gallery (5515 Penn) to see some sculptures from the Boston-based Anne Lilly. She makes kinetic pieces out of metal. (Check out her website).

As regulars know, the heart of Unblurred is located on the 49th and 50th street blocks, so get back in your car and find a space in that general vicinity. Down that way you'll find newcomer Matt Susko at the Garfield Artworks (4931 Penn). Meanwhile, next door at Image Box (4933 Penn), you can see the paintings of Brant Dykstra. What should you expect from these artists? I have no idea. I've never heard of them. That's what makes this so fun. I could come away pleasantly surprised, disappointed, or indifferent. What better way to spend a Friday?

Anyway, I'll make it a point to linger at Modern Formations (4919 Penn). Brett Davis is one of a trio of artists being shown there. Apparently Davis has been quite active recently, as he has just wrapped up participation in a group show over at the Brew House. He will be joined by Rob Katkowski and Jamie Adams (is this the Jamie Adams that had a show at Jack the Pelican Presents?). It seems like the curators are emphasizing the dark nature of these creators- the exhibition is called A Space of Resignation, and the press release contains descriptors such as "malevolence", "strange" and "discordance". Sounds yummy, I guess.

Don't stay out too late drinking your fancy drinks at the Brillo Box. You're going to want to save some energy for Saturday night.

I'm going to assume that you don't have the money to go to the "Gala Preview" of the Carnegie International on Friday night. After all, you haven't received your tax rebate in the mail, and you likely don't have $350 to spend on fancy cheese and sparkling wine. In fact, you probably aren't even going to the $75-per-guest three-hour late night event. But for a mere $16, you can jam your way through the crowds on Saturday afternoon, as thousands of art-lovers clamor to be the first of the hoi polloi to view Life on Mars. That's right. This year curator Doug Fogle decided that this world-acclaimed art exhibition needed a catchy little title. Something kind of "Glam Rock" perhaps...

Or indeed you could save your money and (for a third of the price) attend the non-gala opening reception for the Pittsburgh Center for the Arts Biennial. This event is being held in two locations- the main galleries on 6300 Fifth Avenue and at Pittsburgh Filmmakers (477) Melwood) in Oakland. Among the artists included this year are Paper Rad, Kim Beck, Christopher Lisowsky, Adam Welch, Bob LaBobgah, Juliana Morris, and Tom Sarver. That's a pretty goddamned great start to a stellar line-up. The parties get underway at 5:30 PM.

Things to Do This Weekend.

Here we go again. There were a couple of slack weekends in a row with not much happening in the Pittsburgh arts scene... so it's typical to have tons of events packed into two evenings. The most notable is likely the Downtown Gallery Crawl on Friday night- a seasonal get together featuring a look at galleries and other events in the Golden Triangle. Of course it is officially Spring, so there will be tons of folks out and about. Doors start to open for visitors around 5:30PM and usually remain open and busy until 8PM , or so.

I can't say I'm overly excited by anything advertised by this particular crawl. At the 707 and 709 Galleries (Penn avenue) we have the closing of Jazz in Pictures, and the opening of Live Green, View Blue, Paint The Town Red. The latter includes the winning design models of the Pittsburgh Cultural Trust International Design Competition. Up the block at Future Tenant (819 Penn Avenue), they are midway through their I am a Heather exhibition. Sure, sometimes it seems like everything has been done before. But who can truly say that they have seen a show of work entirely inspired by girls named "Heather"? Apparently someone within the CMU student curatorial staff has a thing for bad 80's movies.

The Wood Street Galleries has Text/Memory, installations by Jim Campbell & Mark Scheeff. Campbell makes "electronic art", while Scheeff apparently fucks around with robots (more information here). Something tells me I've seen this show before, but that seems impossible since tomorrow is the official opening. Perhaps the powers-that-be down at Wood Street need to diversify their interests a bit. A block down the street at SPACE Gallery (812 Liberty), Murray Horne has put together an exhibition (Pittsburgh Now) including a selection of artists he is evidently excited by. I'm not sure what these creators have in common besides the fact that five of them have (or have had) some ties to Carnegie Mellon University. That's certainly no novelty downtown.

Finally I will be making a point to stop by Artists Upstairs (937 Liberty) to see Dilated Dialogues (sic). It's reportedly "a photographic conversation between Americans who capture images abroad and foreign-born artists working here." There's no way to tell for sure (since I'm unfamiliar with virtually all of the artists at this Crawl), but it seems like this may be my personal highlight of the evening. If not, I can always take my butt down to the Culinary Institute and gorge myself on cheap chef-in-training-made delicacies.

If none of this appeals to your aesthetic sensibilities, the Mattress Factory is having an opening (7-10PM) called Inner and Outer Space, which features nine contemporary artists who promise to offer new perceptions of space by defying two dimensional surfaces. It costs $10 if you aren't a member. Or alternatively you could check out the Fein Art Gallery (519 E. Ohio Street). This North Side Gallery is having a display of then-and-now photos documenting Pittsburgh history. It's a group show, and includes some images from my new friend Rick Byerly. It's called See How It Was, See How It Is, and its opening reception runs from 5-9PM.


Saturday offers a whole new set of diversions for your wandering eye. Artists Image Resource (518 Foreland Street on the North Side) offers an exhibition of the work of 2006 Pittsburgh Center for the Arts "Emerging Artist of the Year", Kim Beck. I couldn't find much information about this specific show (other than the hours of 7-9PM), but I really liked what I saw at the PCA and I'm going to make an effort not to miss this one.

There's also a closing of Sublimation, a collection of pieces by artists involved in the Brew House Distillery Program. Local favorite Brett Davis is one of the eight artists involved, and it's always interesting to see what he comes up with. Your last chance to see this show is at the South Side location of this co-op at 2100 Mary Street, from 3-5PM.

Of all the happenings this weekend, I am most eagerly anticipating Lawrenceville's Eleventh Annual Art All Night. I'll always be sentimental about this event, because it was throughout this series that I first displayed my photography. Just as its title suggests, you can see artwork by hundreds of different local creators, starting at 6PM on Saturday, and extending through the wee hours all the way until Sunday at 2PM. The show is neither juried nor censored so you get a wide variety of work to enjoy. There's also food, drink and live music throughout the night. This year they are advertising the location as their biggest ever- in the former Roomfull Express Warehouse on 57th Street in Lawrenceville. This is a party you (and 7000 other 'burghers) don't want to miss.